SIMILARITIES OF STYLE
P202: “HAVE YOU GONE MAD?” Ron bellowed.
P196: “SO WHAT?” Harry shouted. ….There won’t be any Hogwarts to get
expelled from! “ (use of caps for specific emphasis)
P63: A tinkling bell rang somewhere in the depths of the shop as they stepped
inside. It was a tiny place, empty except for a single spindly chair which Hagrid
sat on to wait. Harry felt strangely as though he had entered a very strict library;
he swallowed a lot of new questions which had just occurred to him and looked
instead at the thousands of narrow boxes piled neatly right up to the ceiling. For
some reason, the back of his neck prickled. The very dust and silence in here
seemed to tingle with some secret magic.
P115: They pulled on their dressing-gowns, picked up their wands and crept
across the tower room, down the spiral staircase and into the Gryffindor
common-room. A few embers were still glowing in the fireplace, turning all the
armchairs into hunched black shadows. They had almost reached the portrait
hole when a voice spoke from the chair nearest them: “I can’t believe you are
going to do this, Harry.
P108: At three-thirty that afternoon, Harry, Ron and the other Gryffindors
hurried down the front steps into the grounds for their first flying lesson. It was a
clear, breezy day and the grass rippled under their feet as they marched down
the sloping lawns towards a smooth lawn on the opposite side of the grounds to
the forbidden forest, whose trees were swaying darkly in the distance.
P54: For a famous place, it was very dark and shabby. A few old women were
sitting in a corner, drinking tiny glasses of sherry. One of them was smoking a
long pipe. A little man in a top hat was talking to the old barman, who was quIte
bald and looked like a gummy walnut. The low buzz of chatter stopped when
they walked in.
P67: ‘Yes, you know, BELIEFS!’
P30: Li Po could THINK! (use of caps for specific emphasis)
P78: The entrance to the Virtue Agency lay atop of a steep flight of marble steps.
The huge glass door was flanked by lofty statues in the Greek style and there
were a brace of bronze lions on their plinths. As soon as he entered the spacious
foyer his eyes met a pretty little girl seated at a desk big enough for a game of
ping-pong. She was evidently the receptionist and a busy one at that, for she had
no less than six phones all around her. So acute was Owen's shyness that he
hesitated before approaching her and instead pretended to read the notice board
that stretched right across the far wall. He adjusted what was left of his clothes
and tried to ignore the chaffed toes that poked through his trainers.
P51: He closed his eyes and took a deep breath and then another until finally he
regained his composure. Slowly, he began to descend.When he touched the
ground he fell down flat in the dust and lay there listening to his heart pounding
aware that his fingers were still fluttering like blades of grass. He hauled himself
towards the gate and lent back against it letting out an enormous sigh of relief. Li
Po flew down and perched on his shoulder.
'Can't...can't understand how that gate got locked...I was sure....”
“I locked it,” said the bird.
P17: Standing there at the rails, a light warm breeze blowing through his thin
blond hair he felt good. It was a beautiful night filled with the scent of plants, the
moon so hugely near and bright, and the sea so calm. He stood there, looking out
at the vast expanse of the ocean hoping to see again, in the dying light, the school
of dolphins that had followed the ship for miles.
P45: The village was quiet as he approached and seemed to lack any color but a
mousy grey. A dog or something whimpered in the distance. Shutters creaked in a
blustery wind. He pushed the big wooden gate. It gave way easily. Still, he could
hear nothing. A long street flanked by old tenements stretched before him in the
dying light. There were no pavements and no tarmac on the road, just the same
old grey dust everywhere. He could see no signs of life at first until at the very
end of the street he spied what he thought was a pile of rags.
EXPLANATION:The origins of the style are fully Page 1
explained in the complete version of this document.
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